Back in 1995 when Mallrats came out, I was a Kevin Smith fan, having seen and loved Clerks, and I was definitely interested in seeing his next movie. However, the reviews were really bad, and even more importantly, the reviewers said that the movie was really gross.
I don’t do gross. I am a wimp; I can’t watch TV dramas set in hospitals or crime scene shows because I get squicked out so easily. So when I heard that Mallrats had a scene so vile that it was making people sick, I knew there was no way I’d watch the movie.
But, if I wanted to edit a book on Kevin’s work, I thought I should really see all of his stuff, so off to the library I went (more royalties lost; put it on my tab, Kev). By this time, I had read more about the movie, and knew about the pivotal scene of disgustingness (the infamous “stink palm”), but I figured I was ready for it. Though I had heard it was a bad movie, in My Boring Ass Life, Kevin had said that he thought the movie held up okay, so I was ready to watch it with an open mind.
And the movie didn’t totally disappoint; it had some funny parts, as all Kevin Smith movies do. That’s one of the reasons I like his movies and will always go see them in the theaters (see, Kev, you do make some money off of me). I know that there will always be stuff that cracks me up, even if I don’t love the movie as a whole, and that’s what happened here.
The Jay and Silent Bob parts of the movie were very funny, in an over-the-top kind of way. Mewes makes me laugh – he’s kind of a naughty man-child who can get away with saying almost anything because there is a sweetness behind his vulgarity, and Kevin’s Silent Bob works well because of his very expressive face. So their stuff was good.
As always, the movie had some great dialogue – smart, funny, and fast, but the problem I have was that I didn’t buy into the key relationship in the movie. Some of the acting was not so great, and the central part of the movie just didn’t hold up for me.
Overall, I think the main problem was the tone: the Jay and Silent Bob parts were funny in an exaggerated way, but the rest of the story had a more realistic feel to it, and for me, the two parts didn’t fit well together. It was like two different movies put together.
Most surprisingly, the horrifying gross-out part that kept me from seeing the movie for so many years was actually no big deal. I mean, the stink palm was gross, but the scene could have been much worse. Things have changed so much since 1995. If the movie had been done now, it likely would have been far more over the top. When the guy who ate the stanky pretzels threw up, well, it was handled quite tastefully. If it had been done now, there would have been vomit everywhere. So I survived the gross part (though I did not snack during the movie).
Philosophically, there wasn’t much happening in Mallrats. Chasing Amy, Dogma, and Clerks 1 and 2 provide more interesting things to talk about on that level, I think.
One thing that stood out to me as a positive and negative was Kevin’s use of in-jokes and references. As a fan, I love it when directors/writers reference past works. It’s like a treat that makes you feel like a part of something. Joss Whedon does this a lot, and I really appreciate it; it is a way of acknowledging and appreciating loyal viewers.
Kevin definitely does a lot of this, perhaps too much at times. A throwaway line like “He’s faster than Walt Flanagan’s dog” is one that very few people are going to get, especially at the time the movie came out. The willingness to give a shout out to his friend is part of what makes Kevin so likeable. And now that the story behind the line is out (in My Boring-Ass Life and one of the Smodcasts, I think), more people can appreciate it.
But it’s not really that funny for most of us, and too many in-jokes/references can end up being alienating for viewers. Even though I am a fan, personally, I just don’t remember a lot of details about movies, so many of the references to characters from the Askewniverse in Mallrats went past me, even after reading about it right before seeing the movie.
My understanding, though, is that a lot of people really love the movie, and I get that. Certain movies hit you at the right time in your life and work for you, even if they don’t for other people. Maybe if I’d seen it when I was younger, it would have resonated more for me, but seeing it now, it was just okay.
So, now I’ve seen all of his work. Time to investigate the world of Smodcast.